Four Quarters Done

I've been happily picking fabrics, cutting strips, and sewing---and the four quarters of the wedding quilt are done!

I'm short on well-lighted floor space, but this photo gives the overall idea. Only a few fabrics were used more than once. Two (a very dark blue plaid, and the central orange) I used three times each. So, this top has more than 60 different fabrics.

Here are a few of my favorite fabric combinations. I love the peaches, tans/browns, and off-white next to the red.

I used mostly 2-1/2-inch strips, but sometimes I went with 3 inches, and sometimes on only one side (and the central squares are different sizes, too), so here, I added in the blue/yellow stripe fabric to make up some inches. 

Great rusty and brown colors! The rust and white plaid was all small pieces, so that strip has lots of crazy seams and grain directions.

At first, I thought that the intense red/navy/yellow plaid, the wild multicolored stripe, and even the bright yellow/blue/white stripe would be too much for this quilt, and I set them aside. But by the fourth quarter, I was ready for them, and they look great! 

Now, I need to decide on backing fabric. Time to dig through my stash and see what largish yardage I can find.

All except two of the quilt-top fabrics are clothing, and almost all are men's shirts, which means almost all the fabrics are very fine and tightly woven. Safety pins literally tear the fabric. So instead, I'm going to pin baste with large straight pins and be VERY careful while quilting. The plan is to layer each half of the quilt separately. I'm hoping that working on a 43-inch-wide sandwich, and free-motion quilting a simple, smallish meandering pattern will make the straight pins workable. Leather gauntlets would be nice, too.

One-Quarter of the Wedding Quilt

My original plan was to focus only on value, to have alternating light and dark strips without much if any regard to color. But right from the beginning, I was organizing by color. I couldn't help it even when I firmly told myself not to.

After my first few fabric choices, which had color linkage despite my efforts, I could see that I just wasn't going to pay attention to the plan. I kept thinking, "That group of four greens looks so nice, and they segue so well into the beiges, which pick up the beige in the red-orange plaid, and the yellow/white/two-blue stripe looks great with the solid yellow," and on and on.

OK. New plan: groups of color-related fabrics, with the occasional sharp shift.

That's when it got fun. And I really like the way it's developing.

Tracking Down Similar Quilts

I figured Deb Rowden's blog would be a good place to start looking for quilts similar to the wedding quilt I'm making. Sure enough! Here's one example, and here's another. I love these!

Beginning a Wedding Quilt

My husband's nephew is getting married in mid-May, and that definitely calls for a quilt! At first, I thought I had the perfect already-pieced top just waiting to be quilted. But, no. Although that one is very nice (albeit a bit straight-laced), it's mostly white with pastel stars. The nephew and the top are just not a good fit.

I took a look at those 100 shirts sitting on my cutting table. So many possibilities! But too many of my ideas were too labor intensive. I mean really, how much time am I going to have over the next two months?

The challenge was to find a pattern that (1) the soon-to-be-wed couple have a good chance of liking (2) I like, (3) is good for relaxed piecing (minimal need for precision cutting and matching), (4) has good energy---something on the bold and graphic side, (5) has enough but not too much creative challenge, (6) uses fabrics I already have, and (7) is easy to piece, with not too many patches. Not an easy task.

After much paging though quilt books and photos stored on the computer, and several days of brainstorming, I decided. It's a big, bold log-cabin-ish pattern---all plaids and stripes (and maybe a few oxford-type solids), sometimes cut straight, sometimes not. I know I've seen a quilt very much like it somewhere, but I can't track it down.

Here's the center:

The center is four squares, each 9 to 10 inches, finished, and these squares are not sewn to each other until the end. Strips (2 to 3 inches wide, finished) will be added to the outer two sides of each square until each quarter of the top reaches close to 45 by 45.  inches. Then I'll sew the quarters together. Actually, I think I'll make two halves, do most of the quilting, and then put the halves together. This is the perfect pattern for that approach.

I expect that 60 or more shirts will be donating to the project. The drabber blues will be underrepresented.

100 Shirts

Yup, you're looking at about 100 cut up shirts. (There are a couple of skirts in there too.) Many of the light fabrics are already in the hand-pieced tumbling blocks quilt top I've been working on for several years.

The red/yellow color overload of the spiral project has made me want to look again at these mostly calmer colors. I've been cutting up the last of the whole shirts, while thinking what I might do with them. So many possibilities! As much as I like the spiral project, I also need a project that takes less mental effort, yet doesn't get boring---rather like the orange plaids quilt.

Very Red. Very Yellow.

It's not much progress. But I'll take it. I also redid some of the yellow triangles section. I just wasn't happy with a couple of the fabrics. Also, I've been experimenting with the triangle-making methods in Liberated Quiltmaking II (photos of my efforts soon). This book came along at just the right time!

Frankly, the brightness of the colors can be a bit of a problem in a way I didn't expect. There are days when yellow and red are just too much for me---times when I'm stressed and need calming, not stimulation.

Quilting the Plaids

With such a busy week, it's been good to have a relaxed, fun project to work on. Over the past weekend I pin basted and managed most of the machine quilting. Snatching some time one weekday evening, I finished it up.

The quilting really brings it to life and also softens the transitions a bit. Here's a close-up:

I had a few glitches here and there, but overall, this was the easiest and best-looking free-motion quilting I've done. With the spectacularly poor start to my machine-quilting efforts a few years ago, I've since tried to give myself every advantage. I can say that gloves with those little grippy dots, a teflon mat on the machine bed, a set-in table (giving a wide, very flat surface), and plenty of flat table space to the left and the back really help. Still, my Bernina and I were not working well together. I just couldn't get reasonably consistent stitch length. The cramped bed area was annoying. Never knowing when I'd run out of bobbin thread add more frustration. Every project was a high-stress affair, with aching back and genuinely bad quilting. I dreaded doing more. And frankly, that was one reason I started hand quilting.

It was also one of my motivations for getting a new machine, and this is my first free-motion quilting project using it. My Viking Sapphire 870 has five speeds, and speed 3 (a little faster than half) seems to mesh really well with how I move the quilt. It's such a relief to not have to pay attention to foot pressure on the pedal. I just press slowly (the machine has a very smooth start and acceleration) to do a neat start and then put my foot all the way down and concentrate on moving the quilt. Also, I like the spring-action foot. I set the foot lift to it's highest level and increase the tension well above (5.0) what the machine sets as the default (3.0). I love hearing the beeps to let me know I need to shorten my stitches before I run out of bobbin thread! The huge bed space really makes a difference. I actually enjoyed the machine quilting, and the lack of pain in my back was so nice.

It's a good thing this was a quilt without expectations, though. When I had an area just 6 inches by 9 inches to go, I ran out of thread. Completely out. My first reaction was "Oh no!" But then, I thought, "Oh well, what other thread do I have? How about the lavender?"

Works for me.

Next: I have the binding cut. Just need to find time to apply it.